June 2024 The quiet has a cost I make music about East to West and stillness, and I mean every note — but I won't pretend it's free.
Choosing quiet can look, from outside, like disappearing. Some days the calm I write about is the calm I most need myself.
If you make gentle music and feel overlooked, you are not doing it wrong. That is just the shape of it.
May 2023 “From East to West” — a note Everything on “From East to West” grows out of one thing: morning gardens.
The piano does the thinking here; I only choose what to keep.
I hope it meets you somewhere quiet.
January 2021 Behind “Morning Sun” I didn't plan “Morning Sun”. It arrived as the sound of East to West when no one is listening and asked to be finished.
I kept the takes that sounded like weather and cut the rest.
That is all it wants to be.
August 2020 “The Boy”, a few words “The Boy” began with the idea of East to West — a small thing I kept circling.
I wrote it at the piano, mostly late, mostly by deleting.
It isn't a message — it's company for a particular hour.
Hope it keeps you company.
December 2018 Heritage, lately I don't choose heritage; it keeps choosing me.
I kept the takes that sounded like weather and cut the rest.
If it slowed you down for forty minutes, it did its job.
December 2018 How it gets made The method is dull and I'm proud of it — a piano, a quiet room, the delete key.
Most of a session ends up deleted. What survives is the piece.
Owed to Erik Satie, Claude Debussy, Ludovico's quiet school. The rest I took by accident.