Barbican

Sumi Kay Jones

pastoral modern composition · piano

Releases

On the records

From East to WestA single mood held for the length of the record — East to West, mostly.
Morning SunA single mood held for the length of the record — morning gardens, mostly.
The BoyA single mood held for the length of the record — heritage, mostly.
The DayA single mood held for the length of the record — seasonal domestic life, mostly.

Field notes

The quiet has a cost

I make music about East to West and stillness, and I mean every note — but I won't pretend it's free.

Choosing quiet can look, from outside, like disappearing. Some days the calm I write about is the calm I most need myself.

If you make gentle music and feel overlooked, you are not doing it wrong. That is just the shape of it.

“From East to West” — a note

Everything on “From East to West” grows out of one thing: morning gardens.

The piano does the thinking here; I only choose what to keep.

I hope it meets you somewhere quiet.

Behind “Morning Sun”

I didn't plan “Morning Sun”. It arrived as the sound of East to West when no one is listening and asked to be finished.

I kept the takes that sounded like weather and cut the rest.

That is all it wants to be.

“The Boy”, a few words

“The Boy” began with the idea of East to West — a small thing I kept circling.

I wrote it at the piano, mostly late, mostly by deleting.

It isn't a message — it's company for a particular hour.

Hope it keeps you company.

Heritage, lately

I don't choose heritage; it keeps choosing me.

I kept the takes that sounded like weather and cut the rest.

If it slowed you down for forty minutes, it did its job.

How it gets made

The method is dull and I'm proud of it — a piano, a quiet room, the delete key.

Most of a session ends up deleted. What survives is the piece.

Owed to Erik Satie, Claude Debussy, Ludovico's quiet school. The rest I took by accident.

In the lineage of

Erik Satie · Claude Debussy · Ludovico's quiet school · Federico Mompou · Harold Budd

Ordinary mornings turned into unhurried musical poetry.

I write pastoral modern composition on the piano. Mostly it's about East to West and morning gardens — ordinary things, made a little more visible.

There are a handful of records — “From East to West”, “Morning Sun”, “The Boy”, “The Day”, “The Girl” and more — and they belong together.

Q&A

Where was this recorded?
In small rooms, close-mic'd. The room is part of the sound; that's deliberate.
Do you play live?
Rarely, and only in intimate rooms. If you run a small space and want to enquire, get in touch — nothing is scheduled unless it's listed here.
What am I actually hearing?
Mostly piano, in pastoral modern composition. Influences somewhere in the background: Erik Satie, Claude Debussy, Ludovico's quiet school.

Listen & licensing

Spotify Apple Music

In the lineage of Erik Satie · Claude Debussy · Ludovico's quiet school · Federico Mompou · Harold Budd

How it sounds

One piano, and as little else as I can get away with.

Live

Plays now and then, small rooms only, mostly around the UK — a hall, a back room, sometimes someone's front room. Nothing big. If you'd like to host one, get in touch.

Booking enquiries